A New York Times photographer approached from behind a nearby building and aimed her camera.
Like many war images, Lynsey Addario’s photo of the dead and dying was never guaranteed to be published. Newsrooms have for decades been cautious when it comes to displaying such graphic images, weighing the journalistic benefits of chronicling the horror against the distress it might cause readers and the victims’ families.
A person lies dead as Ukrainians flee the Irpin area on the outskirts of Kyiv.
A photo of carnage from the same town led the New York Times’s
front page on March 7. (Heidi Levine for The Washington Post)
But, as their colleagues around the world have done with many other disturbing images from Russia’s invasion of Ukraine, the Times’s photo editors decided that, in this case, exposing the war’s brutality outweighed decorum. Addario’s photo led the Times’s website Sunday, and was splashed across the top of the front page of the print newspaper on Monday, spanning five of its six columns.
“The image was so exceptionally graphic that the conversation was elevated to a high level [among editors] fairly quickly,” said Meaghan Looram, the newspaper’s director of photography. “But the sentiment was universal. This was a photograph that the world needed to see to understand what is happening on the ground in Ukraine.”
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